Mount Vitosha
A wooded granite mass 20km long and 16km wide, Mount Vitosha, 8km south of the city, is where Sofians go for picnics and skiing. The ascent of its highest peak, the 2290m Cherni Vrah, has become a traditional test of stamina. Getting here on public transport is straightforward, although there are fewer buses on weekdays than at weekends. Take tram #5 from behind the Law Courts to Ovcha Kupel bus station, then change to bus #61, which climbs through the forests towards Zlatni Mostove, a beauty spot on the western shoulder of Mount Vitosha beside the so-called Stone River. Beneath the large boulders running down the mountainside is a rivulet which once attracted gold-panners. Trails lead up beside the stream towards the mountain’s upper reaches: Cherni Vrah is about two to three hours’ walk from here.
The National Gallery for Foreign Art
An imposing nineteenth century building houses the National Gallery for Foreign Art, which devotes a lot of space to Indian wood-carvings and second-division French and Russian artists, though there are a few minor works by the likes of Rodin, Chagall and Kandinsky. Heading west past Alexander Nevski Cathedral, you’ll pass two recumbent lions flanking the Tomb of the Unknown Soldier, set beside the wall of the plain, brown-brick Church of Sveta Sofia which gave the city its name in the fourteenth century.
The Rotunda of St George and the Presidency
Sofia’s oldest church is the fourth-century Rotunda of St George, built upon the city’s oldest Roman foundations and housing frescoes from the eighth century onwards. Surrounding the church is the Presidency, guarded by soldiers in colourful nineteenth-century garb (Changing of the Guard hourly).
The Russian Church and Aleksandar Nevski Cathedral
Built on the site of a mosque in the early twentieth century, the Russian Church is a stunning golden-domed building with an emerald spire and an exuberant mosaic-tiled exterior, which conceals a dark, candle-scented interior. The nearby Aleksandar Nevski Cathedral is one of the finest pieces of architecture in the Balkans. Financed by public subscription and built between 1882 and 1924 to honour the 200,000 Russian casualties of the 1877–78 War of Liberation, it’s a magnificent structure, bulging with domes and semi-domes and glittering with gold leaf. Within the gloomy interior, a beardless Christ sits enthroned above the altar, and numerous scenes from his life, painted in a humanistic style, adorn the walls. The crypt, entered from outside, contains a superb collection of icons from all over the country.