#12 See Florence’s scientific side at Museo Galileo
Long after Florence had declined from its artistic apogee, the intellectual reputation of the city was maintained by its scientists. Grand Duke Ferdinando II and his brother Leopoldo, both of whom studied with Galileo, founded the Accademia del Cimento (Academy of Experiment) in 1657, and the instruments made and acquired by this academy form the core of the excellent Museo Galileo.
The first floor features timepieces and measuring instruments (such as beautiful Arab astrolabes), as well as a massive armillary sphere made for Ferdinando I to demonstrate the veracity of the Ptolemaic model of the universe. Some of Galileo’s original instruments are on show here, including the lens with which he discovered the four moons of Jupiter.
On the floor above there are all kinds of exquisitely manufactured scientific and mechanical equipment, several of which were built to demonstrate the fundamental laws of physics.
#13 Wander the mediaeval streets of the western city centre
Several streets in central Florence retain their mediaeval character, especially in the district immediately to the west of Piazza della Signoria. At the edge of this quarter stands the Mercato Nuovo, whose souvenir stalls are the busiest in the city.
Usually a small group is gathered round the bronze boar known as Il Porcellino, trying to gain some good luck by getting a coin to fall from the animal’s mouth through the grill below his head.
#14 Catch a glimpse of mediaeval life at Palazzo Davanzati
For an immersion in the world of mediaeval Florence you should visit the fourteenth century Palazzo Davanzati, nowadays maintained as the Museo Davanzati.
This huge house is decorated in predominantly mediaeval style, using furniture from the fourteenth to the nineteenth centuries gathered from various Florentine museums, most notably the Bargello.
The coat of arms of the wealthy Davanzati family, who occupied the house from 1578 until 1838, is still visible on the facade, and you can admire their impressive family tree in the entrance hall.
Upstairs are several frescoed rooms – the Sala dei Pappagalli (Parrot Room) and the Camera dei Pavoni (Peacock Bedroom) are particularly splendid – as well as some interesting reconstructions of day-to-day life in the house, with chests full of linen in the bedrooms and household utensils, tools, looms and spinning wheels in the third-floor kitchen.
#15 Head to Santa Trìnita to see Ghirlandaio’s great frescoes
Via Porta Rossa culminates at Piazza Santa Trìnita, close to the city’s most stylish bridge, the Ponte Santa Trìnita, which was rebuilt stone by stone after the retreating Nazis had blown up the original in 1944.
Santa Trìnita church was founded in 1092 by a Florentine nobleman called Giovanni Gualberto (scenes from whose life are illustrated in the frescoes in the alcove at the top of the left aisle), but piecemeal additions have lent it a pleasantly hybrid air.
The interior is notable above all for Ghirlandaio’s frescoes of scenes from the life of St Francis in the Cappella Sassetti, which were commissioned by Francesco Sassetti, general manager of the Medici bank.
On the steps below them are the humanist Poliziano and three of his pupils, Lorenzo’s sons; the blond boy, at the back of the line, is Giovanni, the future Pope Leo X.
A brief history of Florence
The Roman colony of Florentia was established in 59 BC and expansion was rapid, based on trade along the Arno. In the sixth century AD the city fell to the barbarian hordes of Totila, then the Lombards and then Charlemagne’s Franks.
In 1078 Countess Mathilda of Tuscia supervised the construction of new fortifications, and in the year of her death – 1115 – granted Florence the status of an independent city. Around 1200, the first Arti (Guilds) were formed to promote the interests of traders and bankers in the face of conflict between the pro-imperial Ghibelline faction and the pro-papal Guelphs.
The exclusion of the nobility from government in 1293 was the most dramatic measure in a programme of political reform that invested power in the Signoria, a council drawn from the major guilds.
The mighty Palazzo della Signoria – now the Palazzo Vecchio – was raised as a visible demonstration of authority over a huge city: at this time, Florence had a population around 100,000, a thriving mercantile sector and a highly developed banking system (the florin was common currency across Europe).
Strife within the Guelph camp marked the start of the fourteenth century, and then in the 1340s the two largest banks collapsed and the Black Death struck, destroying up to half the city’s population.
Read more: Why Florence was the birthplace of the Renaissance