#2 Embrace the art in Scuola di San Giorgio degli Schiavoni
Venice has two brilliant cycles of pictures by Vittore Carpaccio – one is in the Accademia, and the other is in the Scuola di San Giorgio degli Schiavoni, which sits beside a canal to the south of San Francesco.
By the mid-fifteenth century, though, Venice’s Slavic inhabitants were sufficiently established for a scuola to be set up to protect their interests. After several years of meeting in the church of San Giovanni di Malta, the scuola built itself a new headquarters on the church’s doorstep at the start of the sixteenth century and summoned Carpaccio to brighten up the first-storey hall.
Painted from 1502 to 1508, after the Accademia’s St Ursula cycle, Carpaccio’s pictures were moved downstairs when the building was rearranged in 1551, and the interior has scarcely changed since.
#3 Stroll through the lively Rialto market
It was through the markets of the Rialto that Venice earned its reputation as the bazaar of Europe. Virtually anything could be bought or sold here: fabrics, precious stones, silver plate and gold jewellery, spices and dyes from the Orient. Trading had been going on here for over four hundred years when, in the winter of 1514, a fire destroyed everything in the area except the church.
The possibility of relocating the business centre was discussed but found little favour, so reconstruction began almost straight away: the Fabbriche Vecchie was finished eight years after the fire, and Sansovino’s Fabbriche Nuove followed about thirty years later.
Today’s Rialto market is much more modest than that of Venice at its peak, but it’s still one of the liveliest spots in the city and one of the few places where it’s possible to stand in a crowd and hear nothing but Italian-spoken.
#4 Take a tour of San Giorgio Maggiore
Palladio’s church of San Giorgio Maggiore, facing the Palazzo Ducale across the Bacino di San Marco is one of the most prominent and familiar of all Venetian landmarks. It is a startling building, with an impact that’s enhanced by its isolation on an island of its own.
Ruskin didn’t much care for it: “It is impossible to conceive a design grosser, more barbarous, more childish in conception, more servile in plagiarism, more insipid in result, more contemptible under every point of rational regard.”
Goethe, on the other hand, was sick of the Gothic art that was to Ruskin the touchstone of spiritual health and gave thanks to Palladio for purging his mind of medieval clutter.
#5 Enjoy the spectacle of the Regata Storica
Held on the first Sunday in September, the Regata Storica is the annual trial of strength and skill for the city’s gondoliers and other expert rowers. It starts with a procession of historic craft along the Canal Grande course, their crews all decked out in a period dress, followed by a series of races right up the canal.
Re-enacting the return of Caterina Cornaro to her native city in 1489, the opening parade is a spectacular affair and is followed by a race for young rowers in two-oared pupparini. The women come next (in boats called mascarete), followed by a race for canoe-like caorline; and then it’s the men’s race, in specialized two-man racing gondolas called gondolini.